The Nutcracker

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1. GiGi
   

   The Nutcracker (Russian: Щелкунчик, Shchelkunchik), Op. 71, is a fairy tale-ballet in two acts, three scenes, by Pyotr Ilyich Tchaikovsky, composed in 1891–92. Alexandre Dumas père's adaptation of the story "The Nutcracker and the Mouse King" by E. T. A. Hoffmann was set to music by Tchaikovsky (staged by Marius Petipa and commissioned by the director of the Imperial Theatres Ivan Vsevolozhsky in 1891). The plot of Hoffmann's story is much more elaborate than that of the ballet; in the tale, the heroine Marie's adventures with the toys and with the Nutcracker are not a dream, and at the end she marries the Nutcracker / Prince.
   
   In Western countries, The Nutcracker has become perhaps the most popular of all ballets, performed primarily around Christmas time.
   
   The composer made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, intended for concert performance. The suite was first performed, under the composer's direction, on 19 March 1892 at an assembly of the St. Petersburg branch of the Musical Society. The suite became instantly popular (according to Men of Music "every number had to be repeated"), but the complete ballet did not begin to achieve its great popularity until around the mid-1950s.
   
   Among other things, the score of The Nutcracker is noted for its use of the celesta, an instrument that the composer had already employed in his much lesser known symphonic ballad The Voyevoda (premiered 1891). Although well-known in The Nutcracker as the featured solo instrument in the "Dance of the Sugar Plum Fairy" from Act II, it is employed elsewhere in the same act.

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